Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
Post-Post-Industrial |
A duo show with William McLucas. The installation at Art in the Docks was focused on the imminent transformation of Beckton, documenting traces of the gasworks on the land pending development. The project preserves fragments of this urban industrial relic, through digital scanning, site casting, found objects and film, to create a hybrid archive of the landscape in its transitional state, suggesting speculative pasts and futures. The installation fostered reflection on our evolving relationship with place, through the monumental shifts in the city’s post-industrial landscapes to suggest a qualitative and affective approach to fill the amnesic gap between hazy scenes of early 20th century labour and today’s mixed use developments.
This exhibition was part of Newham Heritage Month with support from the National Lottery Heritage Fund